Liz Klinger won my annual holiday giveaway contest this year and she was kind enough to send along some photos of herself sporting the necklace! It made me so happy to see she's enjoying it. Thanks so much for sharing Liz!
Friday, January 29, 2010
Holiday Giveaway Contest Winner
Liz Klinger won my annual holiday giveaway contest this year and she was kind enough to send along some photos of herself sporting the necklace! It made me so happy to see she's enjoying it. Thanks so much for sharing Liz!
Tuesday, January 26, 2010
The NEW margauxlange.com!
Well folks, it's been a very long time coming, but I'm positively thrilled to announce the reveal of the NEW margauxlange.com …!!
David Balogh, web designer extraordinaire, (who also happens to be my my fiance) did an amazing job re-designing and developing the site and I couldn't be more pleased. I'm particularly excited about the paired-down, more curated portfolios. They're separated into two categories: the one-of-a-kind works and my production works (pieces I make in multiples.) I'm also super psyched for the new press section! (so cool to finally see it all in one place!)
Please take a moment to check it out and let me know what you think :-) Woohoo for upgrades!
David Balogh, web designer extraordinaire, (who also happens to be my my fiance) did an amazing job re-designing and developing the site and I couldn't be more pleased. I'm particularly excited about the paired-down, more curated portfolios. They're separated into two categories: the one-of-a-kind works and my production works (pieces I make in multiples.) I'm also super psyched for the new press section! (so cool to finally see it all in one place!)
Please take a moment to check it out and let me know what you think :-) Woohoo for upgrades!
Monday, January 25, 2010
Happy Monday everyone!
Inspirational Beading blog has posted an interview with me about my Plastic Body Series Jewelry…
Blog author Mortira explains: "My mission in life is to inspire beaders, artists, and everyone in between, to choose sustainable materials, to support fair trade, and to be creative every day."
Many thanks to Mortira for the wonderful feature.
And in other news… Midge's Mind was nominated for The Poppies over on the Poppytalk blog for "Favorite Handmade Artist's Blog" …a huge surprise and truly flattering. I'm honored to have been chosen. There's still time to vote so here's the part where I beg and plead and shamelessly request that you hop on over there and (please please pretty please) vote for Midge's Mind! It would mean the world to me :-)
Oh, and stay tuned later this week for a BIG reveal… (I can hardly contain myself on this one!)
Blog author Mortira explains: "My mission in life is to inspire beaders, artists, and everyone in between, to choose sustainable materials, to support fair trade, and to be creative every day."
Many thanks to Mortira for the wonderful feature.
And in other news… Midge's Mind was nominated for The Poppies over on the Poppytalk blog for "Favorite Handmade Artist's Blog" …a huge surprise and truly flattering. I'm honored to have been chosen. There's still time to vote so here's the part where I beg and plead and shamelessly request that you hop on over there and (please please pretty please) vote for Midge's Mind! It would mean the world to me :-)Oh, and stay tuned later this week for a BIG reveal… (I can hardly contain myself on this one!)
Monday, January 18, 2010
Nylon Magazine
Nylon (Mexico) included a full page feature about my jewelry in their October issue on page 97:
Many thanks to Liliana for the feature!
Friday, January 15, 2010
The Perfect Fit continues on…
If the Shoe Fits © Margaux Lange 2008The Perfect Fit: Shoes Tell Stories, the museum exhibition this bracelet and two other works of mine are included in at the Fuller Craft Museum in Brockton, MA will be closing on January 17th. However… it will soon be traveling on to the Nicolaysen Museum in Casper, Wyoming (hooray!) The show will open there April 30 and will remain until September 12, 2010. For more information please visit: www.thenic.org
Thursday, January 14, 2010
Charmed
Charms © Margaux Lange 2010Bob Ebendorf
Robert Longyear
James Thurman
Jen Townsend
Marlene True
Rob Jackson
Robin Kraft
Ana Lopez
Victoria Altepeter
Mary Hallam Pearse
Kathryn Osgood
Brittany Sondberg
Erica Stankwytch Bailey
Allyson Bone
Vince Pontillo
Adrienne M. Grafton
Lynette Andreason
Bryan Peterson
Tavia Brown
Autumn Brown
Talya Baharal
Tim Lazure
Renee Zettle-Sterling
Colleen Heineman
Rachel Ketzner
Sarah Holden
Stacey Webber
Lynn Batchelder
Raissa Bump
Alissa Lamarre
412.261.7003 | Mon—Sat, 10 am-5 pmRobert Longyear
James Thurman
Jen Townsend
Marlene True
Rob Jackson
Robin Kraft
Ana Lopez
Victoria Altepeter
Mary Hallam Pearse
Kathryn Osgood
Brittany Sondberg
Erica Stankwytch Bailey
Allyson Bone
Vince Pontillo
Adrienne M. Grafton
Lynette Andreason
Bryan Peterson
Tavia Brown
Autumn Brown
Talya Baharal
Tim Lazure
Renee Zettle-Sterling
Colleen Heineman
Rachel Ketzner
Sarah Holden
Stacey Webber
Lynn Batchelder
Raissa Bump
Alissa Lamarre
If anyone is interested in purchasing one of the charms pictured above please feel free to contact the SCC for more info:
Thursday, January 07, 2010
Daena Title
I'm LOVING the attention to color and reflection in these submerged Barbie oil paintings from artist Daena Title who was kind enough to allow me to share them here with you all…
Smile © Daena Title 2008
Sweater Barbie © Daena Title 2007
Big Barbie © Daena Title 2008
Dark Friends © Daena Title 2009
Pool Witch © Daena Title 2009
They bring back so many memories for me - bringing my Barbies to the beach back in the day. They also have a slightly sinister dichotomy I find appealing. Drowning with a grin anyone…?
Daena discovered my work from last year's NY Times feature - and then purchased a couple pairs of my earrings! I love connecting with other artists who make work with Barbie. Check out more of her amazing portfolio on her website: daenatitle.com
Smile © Daena Title 2008
Sweater Barbie © Daena Title 2007
Big Barbie © Daena Title 2008
Dark Friends © Daena Title 2009
Pool Witch © Daena Title 2009Daena discovered my work from last year's NY Times feature - and then purchased a couple pairs of my earrings! I love connecting with other artists who make work with Barbie. Check out more of her amazing portfolio on her website: daenatitle.com
Wednesday, January 06, 2010
A New Year
So here it is folks… 2010, a fresh, new year filled with infinite possibility! Or at least, that's what I'm supposed to say right? Honestly, I've been feeling some mixed emotions about starting the year. Yesterday I sat down to write my End Of Year Accomplishments List, something I do every year at the advice of the very wise Alyson Stanfield and her Art Marketing Action Newsletter, and it felt OK, but not nearly as good as I had hoped it would make me feel. This year's list doesn't look as good on paper to me as my 2008 list. Parts of my list were strong (listing the press I received for example) but other parts not nearly as much (listing the books I read in 2009… boo.)
But even more difficult for me to do this year seems to be starting my Goal List for 2010. (I still haven't started one and usually I begin in December!) The truth of it is, I've been dreading having to articulate specific goals for the year, even though I know it's important for me to do. In fact, I really haven't wanted to do much of anything (beyond focusing on family and my upcoming wedding this summer) since the end of my holiday business chaos December 20th. I definitely haven't been feeling excited about getting back in the studio again either - despite the long list of commitments that need attention from custom orders to new wholesale accounts, to gallery re-stocks…
I suppose my lack of enthusiasm has been, in part, because I've been so conflicted about the Plastic Body Series. I had sort-of unofficially announced in 2009 that I would no longer be continuing on with the series in 2010 because I wanted to make time to work on other things. I've been feeling a bit trapped in the series and want to feel more fulfilled and excited about my work again. These days, I desire nothing more than some distance from the plastic princess. The new year felt like good timing to expedite this change because 2009 was Barbie's 50th anniversary and 2010 would mark the nearly ten years I've been working on the series. I have many other ideas that need time for exploration (which, as we all know, there is never enough of) so setting an end date for the Plastic Body Series seemed like the only real way I would be able to truly focus on new work. There are many issues in breaking up with Barbie however, not the least of which is: stream of income.
My work gained enough momentum to enable me to quit my part-time job back in the summer of 2008 which allowed me to finally become a full-time studio artist (yay!) however, with that came a whole new set of responsibilities that I hadn't entirely anticipated. For instance, I no longer have "down time" where there are no jewelry projects on my bench. I used to be able to relax (at least a little bit) after completing a big grouping of new work to recharge before starting more one-of-a-kinds because I had an alternate source of income to help out during the down times. Nowadays I must immediately jump right into the next project. Part of that, I know, is the expense of living here in NYC and affording a studio outside of my home (more on that another time) however it's also because I no longer have that part-time job to fall back on for regular paychecks when/if I need a break from my studio work. I fully realize this is THE major trade-off involved in working for yourself (aka: the best job in the world!) yet it's challenging nonetheless, always focusing on making enough in preparation for the next inevitable, eventual famine after the feast. This type of financial planning seems to become particularly challenging when considering a major change in the direction of one's work. I can't be sure my new work will make ends meet, which scares me to no end and keeps me stuck in this cement.
Bringing in money is an issue whether I like it or not. The constant work and no play time for exploration in the studio feels like it's sucking the love out of what I do little by little. But what's the alternative? As much as it sucks to have to work so much and churn out designs on a non-stop basis it would suck more for me if I had to go back to a part-time job.
The other issue in breaking up with Barbie, is that it's hard to leave behind something your "known" for. The Plastic Body Series is fairly established now and I've experienced decent sales, some excellent exhibition opportunities, great representation and lots of press all because people now know the type of work that I do: my Barbie work. It's scary to have to start over in that way and rebuild a reputation for new work. Will people even respond if/when I try to put new work "out there?" Or will I just get… "that's nice, but do you have any new Barbie Jewelry?" Beyond sale-ability, what if my designs aren't actually even any good post-Barbie?! What if I don't ever have another "successful" idea? Maybe I will, maybe I won't, but the "What If's…" shouldn't be what keep me from attempting a change. I know I need this, but it's probably one of the scariest decisions I've had to face in my career thus far.
Despite the hesitation, fear, and uncertainty… it's time. So I've settled on a compromise. Instead of discontinuing the series all together, (which ultimately I cannot afford to chance right now) I've decided to slowly scale back by taking a break from making the one-of-a-kind Barbie works for a while (gallery pieces that are über-labor intensive as well as artistically draining) and continue on with the series only in terms of wholesale accounts, custom orders and my etsy shop. This will hopefully free up all the time spent on gallery work to become "play time" for new ideas.
I think what I need to remain aware of is that I can always go back to Barbie if I want to. No one is telling me I can't. What's that saying… if you love something set if free…? Perhaps after this year my ideas for new Barbie works will be brimming over and I'll simply HAVE to return to the series! Or perhaps I'll decide the new work really isn't as interesting or as personally fulfilling to me as the Plastic Body Series. Or maybe I'll love my new direction, whatever it may be, and I just won't give a damn what other people want/expect anymore. Or maybe, just maybe, other people will love it (and want to buy it) as much or more than my older work. Only time will tell.
Regardless: this year I am promising myself play time. To see where it leads. I know it will be a challenge sticking to this, especially if it means saying no to exhibition opportunities that sound great. I'll have to cross those bridges when I come to them, however I aim to try my best not to get sucked into the Barbie vortex, compromising my number one goal for 2010. OH! there it is…
But even more difficult for me to do this year seems to be starting my Goal List for 2010. (I still haven't started one and usually I begin in December!) The truth of it is, I've been dreading having to articulate specific goals for the year, even though I know it's important for me to do. In fact, I really haven't wanted to do much of anything (beyond focusing on family and my upcoming wedding this summer) since the end of my holiday business chaos December 20th. I definitely haven't been feeling excited about getting back in the studio again either - despite the long list of commitments that need attention from custom orders to new wholesale accounts, to gallery re-stocks…
I suppose my lack of enthusiasm has been, in part, because I've been so conflicted about the Plastic Body Series. I had sort-of unofficially announced in 2009 that I would no longer be continuing on with the series in 2010 because I wanted to make time to work on other things. I've been feeling a bit trapped in the series and want to feel more fulfilled and excited about my work again. These days, I desire nothing more than some distance from the plastic princess. The new year felt like good timing to expedite this change because 2009 was Barbie's 50th anniversary and 2010 would mark the nearly ten years I've been working on the series. I have many other ideas that need time for exploration (which, as we all know, there is never enough of) so setting an end date for the Plastic Body Series seemed like the only real way I would be able to truly focus on new work. There are many issues in breaking up with Barbie however, not the least of which is: stream of income.
My work gained enough momentum to enable me to quit my part-time job back in the summer of 2008 which allowed me to finally become a full-time studio artist (yay!) however, with that came a whole new set of responsibilities that I hadn't entirely anticipated. For instance, I no longer have "down time" where there are no jewelry projects on my bench. I used to be able to relax (at least a little bit) after completing a big grouping of new work to recharge before starting more one-of-a-kinds because I had an alternate source of income to help out during the down times. Nowadays I must immediately jump right into the next project. Part of that, I know, is the expense of living here in NYC and affording a studio outside of my home (more on that another time) however it's also because I no longer have that part-time job to fall back on for regular paychecks when/if I need a break from my studio work. I fully realize this is THE major trade-off involved in working for yourself (aka: the best job in the world!) yet it's challenging nonetheless, always focusing on making enough in preparation for the next inevitable, eventual famine after the feast. This type of financial planning seems to become particularly challenging when considering a major change in the direction of one's work. I can't be sure my new work will make ends meet, which scares me to no end and keeps me stuck in this cement.
Bringing in money is an issue whether I like it or not. The constant work and no play time for exploration in the studio feels like it's sucking the love out of what I do little by little. But what's the alternative? As much as it sucks to have to work so much and churn out designs on a non-stop basis it would suck more for me if I had to go back to a part-time job.
The other issue in breaking up with Barbie, is that it's hard to leave behind something your "known" for. The Plastic Body Series is fairly established now and I've experienced decent sales, some excellent exhibition opportunities, great representation and lots of press all because people now know the type of work that I do: my Barbie work. It's scary to have to start over in that way and rebuild a reputation for new work. Will people even respond if/when I try to put new work "out there?" Or will I just get… "that's nice, but do you have any new Barbie Jewelry?" Beyond sale-ability, what if my designs aren't actually even any good post-Barbie?! What if I don't ever have another "successful" idea? Maybe I will, maybe I won't, but the "What If's…" shouldn't be what keep me from attempting a change. I know I need this, but it's probably one of the scariest decisions I've had to face in my career thus far.
Despite the hesitation, fear, and uncertainty… it's time. So I've settled on a compromise. Instead of discontinuing the series all together, (which ultimately I cannot afford to chance right now) I've decided to slowly scale back by taking a break from making the one-of-a-kind Barbie works for a while (gallery pieces that are über-labor intensive as well as artistically draining) and continue on with the series only in terms of wholesale accounts, custom orders and my etsy shop. This will hopefully free up all the time spent on gallery work to become "play time" for new ideas.
I think what I need to remain aware of is that I can always go back to Barbie if I want to. No one is telling me I can't. What's that saying… if you love something set if free…? Perhaps after this year my ideas for new Barbie works will be brimming over and I'll simply HAVE to return to the series! Or perhaps I'll decide the new work really isn't as interesting or as personally fulfilling to me as the Plastic Body Series. Or maybe I'll love my new direction, whatever it may be, and I just won't give a damn what other people want/expect anymore. Or maybe, just maybe, other people will love it (and want to buy it) as much or more than my older work. Only time will tell.
Regardless: this year I am promising myself play time. To see where it leads. I know it will be a challenge sticking to this, especially if it means saying no to exhibition opportunities that sound great. I'll have to cross those bridges when I come to them, however I aim to try my best not to get sucked into the Barbie vortex, compromising my number one goal for 2010. OH! there it is…
#1: Make play time for new series of jewelry.
(I guess starting my goal list wasn't so hard after all.)
(I guess starting my goal list wasn't so hard after all.)
Tuesday, January 05, 2010
Reuse on etsy!
Woohoo! I was featured in an etsy Storque article today with lots of pics of my work! The article Features Garth Johnson of Extreme Craft and his book: 1000 Ideas for Creative Reuse in which I, and many other talented artists, have been published. Very cool article, thanks so much etsy! :-)
Monday, January 04, 2010
Custom Kiss
Kiss Necklace© Margaux Lange 2009
This was a custom order recently completed for Facéré Jewelry Art Gallery in Seattle, WA. I'm pleased with this new variation on the original. I especially like the extra dash of color the coral pink heart adds. What do you think?!
© Margaux Lange 2009"The Kiss" is the necklace I get the most emails about so I figured I might as well post some info about the necklace here now in the event anyone is interested:
• YES, you may custom order this necklace, however… please be aware it would be a variation on this piece, ie: the Barbie parts used would be different, and the arrangement/design would also be different, as each piece is a one-of-a-kind.
• NO, this piece is not cheap. This is a time-consuming necklace to make and is not part of my production line. And as I mentioned, each one is a one-of-a-kind which increases it's value.
Please feel free to contact me if you're still interested: margauxlange[at]gmail.com
Happy New Year everyone! I'm trying to work through some personal resistance I've been having to my acclimation back into work after such a wonderful, long holiday vacation. I'm trying to be gentle with myself. On that note, I wish you all a gentle easing into 2010!
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